Experimental Films (2001-present)

Still from CITY/STATE

2017, uncut 8mm film projected as 16mm, color, sound

Still from MISS NOLAN EXPLAINS IT ALL FOR YOU!

2017, b&w, 16mm scratch film, sound

Still from DOUBLE EXPOSED

2017, 8mm, color, sound, 3:30

Still from LUCILLE LOOPS

2015-present, B&W, Super8 loop portraits, silent, various running times.

Still from LUNAR FLARE (w/ Levi Rubeck)

2010, Handpainted super8 film, B&W and color, sound, 8 min.

Still from GIRLS ON FILM (w/Karin Segal)

2005, 35mm, color, sound, 8min.

Still from CUT

2001, 16mm live action with hand drawn animation, b&w, silent

—CITY/STATE, 2023, in post production.
—MISS NOLAN EXPLAINS IT ALL FOR YOU, 2023, in post production.
—DOUBLE EXPOSED, 2018.
* Over 20 festivals including Hamptons, Cinequest, HotDocs, Palm Springs ShortFest, DocAviv.
—LUCILLE LOOPS, 2015.
—LUNAR FLARE (w/Levi Rubeck), 2010.
* Premiered at Mono Non Aware 16mm Film Festival
—GIRLS ON FILM (w/Karin Segal), 2005.
* Screened at multiple museums and galleries including: Anthology Film Archives (2005), Harvard University (2005), Columbus College of Art & Design (2006), Center for Contemporary Art, Tel Aviv (2008), McAvoy Foundation for the Arts (2022-2023)
—CUT, 2002.

**Links to films will be added as they are digitized and and available online.

The loss of motion picture celluloid is not tragic concerning narrative filmmaking. Though aficionados and auteur directors will beg to differ, I've come to accept that digital is the way of the future.

No, the loss of celluloid is a tragedy only when it comes to experimental films. The ability of working directly on the material itself--scratching, painting on the surface, double exposures--will be lost. All of my films originate on different formats of celluloid, and when celluloid is no longer produced, I will also stop making experimental films.